Macrocosmos

<n>August</n> by <n>dshaftel</n> for <n>Racquet</n>.

A photograph of <n>Mycelium</n> by artist <n>Rob Kesseler</n>.

<n>Serous</n>, an interlocking display typeface designed by <n>Mark Gowing</n> for his studio, <n>Formist</n>.

What do creative coding toolkits of the future look like? – MIT Media Lab

<n>TYPE DESIGN '19</n> by <n>Mubien Studio</n>, 2019.

<n>Ogaki Typeface</n> designed by <n>Áron Jancsó</n> in 2009.

<n>Sigfrid Cremer</n>'s print "<n>alphabetbild</n>" (1966), created in Stuttgart.

<n>The Window at the Railyards</n> (2020) by photographer <n>Mary Lee Dereske</n>.

Screenprint <n>Number 3-L</n> by artist <n>Norman Ives</n>, 1967.

A 1919 illustration of potato plant root systems by <n>John Ernest Weaver</n> from his book <n>The Ecological Relations of Roots</n>.

Typographic wordmark by designer <n>Cecilia Sampson</n>.

Poster for a <n>Dieter Roth</n> exhibition, designed by <n>Hansjörg Mayer</n> and <n>Dieter Roth</n> in 1966.

Photo by <n>Colin King</n>. Floral design by <n>Field Studies Flora</n> and <n>SpadaFlora</n>.

A conceptual diagram by <n>Morgwn Rimel</n>.

<n>the shape of me</n> by <n>Cardboard Cranium</n>.